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Carrie Anne Keenan
Carrie Anne Keenan  

Born in Houston, Texas on September 4th, 1975, Carrie Anne Keenan soon moved with her family to Washington State, where she had an adventurous and imaginative upbringing playing with her twin sister in their mother's art studio. Travels in Europe, Central America, and across the United States have solidified Carrie's love of art and fueled her passion for color and pattern. Though Carrie has had her hands in clay since she was a young teen, it was a chance ceramics class in college that introduced her to carving in porcelain, which has continued to be a central focus in her work to this day.

 

Before becoming an artist, Carrie enjoyed work as a river and ocean guide, snowboard instructor, volunteer coordinator, bartender, and retail manager. She currently resides in the foothills of Mt. Baker in Washington State with her boyfriend, dog and cat, where she maintains a home studio and a small garden. The ocean, rivers and mountains surrounding her are a constant source of inspiration. Carrie's appreciation of nature, history and geometry is reflected in each handcrafted piece of Inspired Earth Ceramics.

Ms. Keenan states:

To make a pot is to touch the earth an experience an elemental transformation of mud and fire to stone, and also ties the self to a reality that transcends the actual process. We are more than ourselves - we are part of a greater whole, a long cycle of rebirth and passing. What greater view can we have than that which is all around us? The world is a wellspring and a treasure awaiting us.


The creation of a beautiful pot speaks to this connection, whether you are maker or user. In our times it is true that we are able to acquire objects that fulfill their functions more easily and for less money than making them ourselves. So perhaps in a sense then, the making of pots is essentially unnecessary...but therein lays the importance of this craft! It can invigorate the core of the self and remind humanity of our roots.


I wish to elevate this craft to a high and artistic level, to go beyond the idea of "useful pot" to vessels that are not only utilized, but cherished, and an inspiration to their holder. I draw my ideas from the rich earth that surrounds us, and I hope to share in the celebration of life through my work.

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